Tales O' Calg'ry
Exhibition of new works by Peter Moller at cSpace.
Recent works by Peter Moller at cSPACE, November 2 – November 30, 2020. Includes the series Tales O’ Calg’ry & S’roundin’ Reejuns plus the series How I Spent My Pandemic Break. Also on display are select pieces from Moller’s Cultural Portraits series including related vintage posters from Egg Press Co.
cSPACE King Edward, Level 1 • 1721 29th Avenue SW, Calgary, AB T2T 6T7 • Open Monday-Friday from 8am to 8 pm, Saturday 10am-5pm, closed Sunday
THE ARTWORKS
Self portrait with Osprey.
Cal Cavendish recalled having, “… developed a burr under my saddle.” Friday, April 11, 1975 found Cal (singer/songwriter, security guard, un-licensed pilot) in flight over downtown Calgary dumping a large bag of cow manure and his vinyl records toward the unsuspecting streets below. Later that day, in the dark, after landing near the Old Dutch potato Chip factory outside city limits, Cavendish was arrested. Then, he didn’t fly much.
Richard McDowell outside his club 10 Foot Henry’s. Henry’s was the alternative hotspot during the downturn years of the early ‘80s. McDowell was sparked to start Henry’s after an inspired visit to the Student’s Club in Copenhagen. Within days of his reurn he snapped up the lease to the former Funk Plaza Disco and presto!
10 Foot Henry’s, Sep. 17, 1982 – Nov. 2, 1985.
Chris Burden setting a bale of straw alight in one of the possibly too frequent stairwells of the parking lot attached to the Alberta College of Art, 1976. Part of his performance art piece entitled “Do You Believe In Television?” Upon completion he fled the country, fleeing possible arrest.
An inebriated, highly agitated Ken Walker, Festival Express promoter, in Calgary one day, slugs Mayor Rod Sykes after exchanging insults in a heated disagreement over festival admission a few hours before the Festival ended its second and final day, July 6, 1970. Sykes had referred to Walker as “Eastern scum”. Walker later boasted he still carried a scar on his hand as proof of the punch.
Frozen in a moment, Florence ‘Filumena’ Lassandro and Emilio Picariello, confront Constable Stephen Lawson, September 21, 1922. The pair were sentenced to death by hanging for Lawson’s murder. Upon arrest Lassandro said, “I have nothing to be afraid of. He is dead and I am alive. That’s all that matters.” She is the only woman to have been hung in Alberta’s history.
Geraldine Moodie’s eye observing Kingnuck of the Kinepoo Tribe prior to taking his photograph, Fullerton Harbour, Nunavut, February 5, 1905. Then she blinked.
Pre-pandemic
Week 8
Week Fourteen
Week Eighteen
Week Twenty Five
“You’re on earth. There’s no cure for that.” -Samuel Beckett
The end of one thing means the beginning of something new. Based on the final freeze-frame from Francois Truffault’s film The 400 Blows.
Andy Curtis and Michael Green from One Yellow Rabbit’s production of Dreams Of A Drunken Quaker, sometime in the ‘80s.
From the collection of Rita Sirignano & Hamish Kerfoot
Richard McDowell, 1982. Musician, club owner (10’ Henry’s), friend.
THE POSTERS
Offset litho
Design, P. Moller / Egg Press Co., 1990
Photograph, Trudie Lee
Offset litho
Design, P. Moller / Egg Press Co., 1983
Offset litho
Design, P. Moller / Egg Press Co., 1985
Offset litho
Design, Elizabeth Fischer, 1982
Offset litho
Design, P. Moller / Egg Press Co., 1992
Offset litho
Design, P. Moller / Egg Press Co., 1987
Photograph, Cathy Schick
Offset litho
Design, P. Moller / Egg Press Co., 1997